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1、Scarlett O'Hara is not beautiful in a conventional sense, as indicated by Margaret Mitchell's opening line, but a charming Southern belle who grows up on a Clayton County, Georgia plantation Tara in the years before the American Civil War. Scarlett is described as being six years old at the outbreak of the Civil War in April 1861, which would put her approximate birth date in early 1845 [1]. She is the oldest of three daughters. Her two younger sisters are the lazy and whiny Susan Elinor ("Suellen") and the gentle and kind Caroline Irene ("Carreen"). Her mother also ge birth to three younger sons, who were all named Gerald Jr. and died as infants.Scarlett O'Hara (full name Katie Scarlett O'Hara Hamilton Kennedy Butler) is the protagonist in Margaret Mitchell's 1936 novel Gone with the Wind and in the later film of the same name. She also is the main character in the 1970 musical Scarlett and the 19 book Scarlett, a sequel to Gone with the Wind that was written by Alexandra Ripley and adapted for a evision mini-series in 1994. During early drafts of the original novel, Mitchell referred to her e as "Pansy", and did not decide on the name "Scarlett" until just before the novel went to print.To free all those who trust in himContents [hide]1 Character dlopment3 Adaptations4 Characteristics5 Historical sources for the character6 References[edit] Character dlopmentSelfish, shrewd and vain, Scarlett inherits the strong will of her Irish father Gerald O'Hara, but also desires to please her well-bred, gentle French American mother Ellen Robillard, from a good and well respected Sannah, Georgia family.In the face of hardship, the spoiled Scarlett uncharacteristically shoulders the troubles of her family and friends, and ntually the not-so-grieving widow marries her sister's beau, Frank Kennedy, in order to get funds to pay the taxes on and se her family's beloved home. Her practical nature leads to a willingness to step on anyone who doesn't he her family's best interests at heart, including her own sister.One of the most richly dloped female characters of the time on film and in literature, she repeatedly challenges the prescribed women's roles of her time. As a result, she becomes very disliked by the people of Atlanta, Georgia. Scarlett's ongoing internal conflict between her feelings for the Southern gentleman Ashley and her attraction to the sardonic, opportunistic Rhett Butler—who becomes her third huand—embodies the general ition of The South in the Civil War era.[edit] Searching for ScarlettWhile the studio and the public agreed that the part of Rhett Butler should go to Clark Gable (except for Clark Gable himself), casting for the role of Scarlett was a little harder. The search for an actress to play Scarlett in the film version of the novel famously drew the biggest names in the history of cinema, such as Bette Dis (whose casting as a Southern belle in Jezebel in 1937 took her out of contention), and Katharine Hepburn, who went so far as demanding an appointment with producer Did O. Selznick and saying, "I am Scarlett O'Hara! The role is practically written for me." Did replied rather bluntly, "I can't imagine Rhett Butler chasing you for ten years." Jean Arthur and Lucille Ball were also considered, as well as relatively unknown actress Doris Denport. Susan Hayward was "discovered" when she tested for the part, and the career of Lana Turner dloped quickly after her screen test. Tallulah Bankhead and Joan Bennett were widely considered to be the most likely chos until they were supplanted by Paulette Goddard.The young English actress Vivien Leigh, virtually unknown in America, saw that sral English actors, including Ronald Colman and Leslie Howard, were in consideration for the male leads in Gone with the Wind. Her agent happened to be the London representative of the Myron Selznick talent agency, headed by Did Selznick's brother, a co-owner of Selznick International Pictures. Leigh asked her agent to put her name into consideration as Scarlett on the of the American release of her picture Fire Over England in February 1938. Did Selznick watched both Fire Over England and her most recent picture, A Yank at Oxford, that month, and from that time onward, Leigh had the inside track for the role of Scarlett. Selznick began highly confidential negotiations with Alexander Korda, to whom Leigh was under contract, for her servs later that year. Leigh was rmed of Selznick's interest, and told that she would not need to screen test for the role at present as he would view her movies.For publicity pures, Did Selznick arranged to first meet Leigh on the night in December 1938 when the burning of the Atlanta Depot was being filmed on the Forty Acres backlot that Selznick International and RKO shared. The story was invented for the press that Leigh and Laurence Olivier were just visiting as guests of Myron Selznick, who was also Olivier's agent, and that Leigh was in Hollywood hoping for a part in Olivier's current movie, Wuthering Heights. In a letter to Selznick's wife two days later, he admitted that Leigh was "the Scarlett dark horse," and after a series of screen tests, her casting was announced on January 13, 1939. Just before the shooting of the film, Selznick rmed Ed Sullivan: "Scarlett O'Hara's parents were French and Irish. Identically, Miss Leigh's parents are French and Irish."[2]In any case, Leigh was cast—despite public protest that the role was too "American" for an English actress—and Leigh ntually won an Academy Award for her performance.[edit] AdaptationsIn the 1994 TV mini-series based on the sequel Scarlett, the character was played by English actress Joanne Whalley.In the Margaret Martin musical Gone With The Wind, the role of Scarlett O'Hara was originated by Jill Pa.[edit] CharacteristicsPart of Scarlett's enduring charm for women is her proto-femini and strength, though recent critics he pointed out that many nts in the novel are degrading to women. There is Rhett's rishing of Scarlett (after which Scarlett is shown to he enjoyed herself immensely), Scarlett's apparent need of a man to be happy (wher it's Ashley Wilkes or Rhett Butler), and Melanie's sweet but submissive character (who is much adored by ryone).Howr, there he been many defenses for this. First of all, Melanie is not offensive to women, she is simply a more traditional character - she has equal determination as Scarlett (see the scene in Tara when Melanie praised Scarlett after the latter killed a Northern soldier who wanted to loot the house). Many beli the 'rape scene' quickly becomes con (this theory is backed by the novel Scarlett, although it was not written by Mitchell). And again, Scarlett is an individual character, and her need for a man should not be interpreted as universal. (Indeed, her three marriages obviously he ulterior motive, wher these motives are to upset and startle those around her, such as the Hamilton marriage, or for financial security and betterment, for which Scarlett married both Kennedy and Butler.)Scarlett is by far the most dloped character in Gone with the Wind. She stands out because she is strong and ses her family but is incredibly selfish and petty at the same time. She challenges nineth-century society's gender roles repeatedly, running a store and two lumber mills at one point. Scarlett is in some ways the least stereotypically feminine of women (in other ways the most), and the more traditional Melanie Wilkes is in many ways her foil. But Scarlett survives the war, the birth of children, and n a miscarriage. Melanie, on the other hand, struggles with fragile health and a shy nature. Without Melanie Wilkes, Scarlett might simply be seen as harsh and "over the top," but beside Melanie, Scarlett presents a fresher, deeper female characterization; she lives a complicated life during a difficult period of history.Some of Scarlett's lines from Gone with the Wind, like "Fiddle-dee-dee!," "Tomorrow is another day," "Great balls of fire!" and "I'll nr go gry again!", he become modern catchphrases.Similarities between Scarlett and the actress who played her (Vivien Leigh) are striking:Both had strong career ambitions, and wanted little to do with motherhood. Both swore they would nr again he a child.Scarlett's father was Irish, and her mother was French. Leigh's mother was Irish and father was French.[3]Both Scarlett and Leigh were famed for their appearance, their heart-shaped faces, their unusual eyes, and petite body proportions.Both were red to be "difficult" in relationships.[edit] Historical sources for the characterWhile Margaret Mitchell used to say that her Gone with The Wind characters were not based on real people, modern researchers he found similarities to some of the people in Mitchell's own life as well as individuals she heard of. Rhett Butler is thought to be based on Mitchell's first huand, Red Upshaw, who reportedly raped her during their brief marriage. Scarlett's upbringing resembled that of Mitchell's maternal grandmother, Annie Fitzgerald Stephens (1845-1934), who was raised on a plantation in Clayton County, Georgia (where the fictional Tara was placed), and whose father was an Irish immigrant. Another source for Scarlett might he been Martha Bulloch, the mother of US president Theodore Rooslt. Like the fictional "Tara," Martha grew up in a beautiful southern mansion, Bulloch Hall, just north of Atlanta, Georgia. Her physical appearance, beauty, grace, ince were well known to Mitchell and the personality similarities (the itive ones) between Martha, who was also called Mittie, and Scarlett were striking. Some say that some of Scarlett's plotting and scheming aspects might he been drawn from Martha Bulloch Rooslt's beautiful and vivacious, independently wealthy and grandparent-spoiled, rebellious and attention-seeking granddaughter, Al Rooslt Longworth.请自行减去不必要的部分。

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